Studying different ways of distorting an image I have noticed that perception splits when the method of distortion of the image is noticable. Object of photography and distortion become separate entities. This creates a dichotomy: "original"- "distorted", "real"- not "real".
In this series of photographs i tried to overcome this dichotomy by making distortions emdedded with objects of photography. I tried to create singular "real-distorted" which widens the horizon of perception of the object and relationship between object and observer.